Les Preludes and Hamlet represent the pianist's symphonic poem. (Gmoser 72) Liszt also left his mark on operatic paraphrases for solo piano. Compared to the other composers, who were writing flashy introductions, Liszt's paraphrases and fantasies on operas were a "bolt of lightening against the flicker of a candle. He threw themes together in a contrapuntal melange; he changed harmonies; he exploited to the utmost every technical resource of his

European music: Baroque vs. Romantic and Classical music Any non-contemporary orchestral music is often called 'classical' in a colloquial fashion. However, there are many varieties of music between the eras of the 15th century and our own besides what is technically associated with the classical period. Perhaps the most notable movement which laid the foundation for our own contemporary era of music is that of the Baroque period. Rather than naturalness,

Whether the particular piece was rough and rapid or soft and romantic, McDonald seemed to simply flow along with the music, letting it guide him as he guided it out of the piano and to our ears in with a full, natural and inspiring sound. I was also impressed by McDonald's ease with the crowd. Though there were no other musicians or anyone else onstage with him, he was perfectly

"O Sylvan Wye! thou wanderer thro' the woods, / How often has my spirit turned to thee!" (http://www.uoregon.edu/~rbear/ballads.html) Now, the poet wishes to "transfer" the healing powers of nature that he himself has experienced to his sister. By stating."..Nature never did betray / the heart that loved her" (http://www.uoregon.edu/~rbear/ballads.html) Wordsworth assures his sister that she will also find peace in the middle of nature if she believes in the

" (Fabrikant, 2006) Through having transposed Bach's originally melody to the lower and middle layers "Busoni achieves a vertical layering of melodies from different genres..." (Fabrikant, 2006) The top melodic layer is supplied by Busoni through creation of "his own or using imitation techniques. These melodies have a broken line and are organized in short motifs usually derived from the inner voices of Bach's score." This is utilized by Busoni in

French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and